呪術記録
RYŌIKI TENKAI
VOL. IX
SEVEN MARKED DOMAINS
FIELD GUIDE
2026
RYŌIKI · TENKAI
a manual for closed worlds
Press · Click · or any key to enter
Volume IX bound by Kogasa Kagamimura third printing, censor still pending

Domain
Expansion.
a manual, kept in the dark, for rooms that already know your name 領域展開 · the polite art of folding a small finite world around a guest who did not ask to enter one

A domain is a small grammar with a big mouth. The caster writes a sentence the world is not permitted to interrupt; the guest is, with all courtesy, asked to stand in for the punctuation. I have bound ten of these rooms into the present volume. They have, in the months since binding, taught themselves to read aloud. Each cage keeps its own weather, its own colour, its own measured noise. The pages are doing their best impression. Step inside with the sound on, or do not, but do not step inside both ways at once.

Read the index instead
檻と約束
KAGO TO YAKUSOKU

A domain is a small finite room the caster has been keeping inside their chest, whether or not they could afford the rent. You are about to step inside one. The walls will not have to learn your name. They had it on file.

Any cursed technique can be spoken. Very few can be printed. To print a technique is to fold a small finite world around an opponent so the technique becomes the local law. Inside such a room, missing is not a verb the air agrees to. Outside, the technique is a habit the caster talks about at dinner.

Domains are not summoned. They are composed. A caster spends decades looking for the one sentence the listener will not be able to step away from. A clumsy domain reads like a threat. A finished one reads like a verdict already pronounced, in another room, that the guest has only just been informed of.

A complete expansion has four bones. A territory, with an outline only the caster can defend. A guaranteed hit, so the technique no longer has to be aimed; the room aims it. An incantation, which is the agreement that holds the room shut. A cost, paid by the caster in full before the guest is presented with the bill.

I have bound ten rooms into this volume, though only seven were on the printer's list. The eighth was supposed to be removed before binding, on Endō's authority. The press disagreed. The ninth is not, strictly, a domain; it is what followed me home after I closed the eighth and continues to keep a watch on me with the patience usually reserved for inheritance. The tenth was already here. It is the watch. All four are present. All four are indexed. All four are paid for, mostly by people who did not realise they were paying.

  • Territory · the cage you defend with your weight

    A finite outline the caster will hold against every weather. Outside the line, the technique is a piece of personal trivia. Inside it, the technique is the local statute, ratified by the floor.

    fn. the line is drawn by where the caster is willing to die. it is shorter than it sounds.
  • Guaranteed Hit · the room takes the aim

    Inside, the technique is no longer aimed by the hand. The room aims it. The room does not miss, because the room is the caster, and the caster is presently concentrating on nothing but the guest's exact occupation of space.

    fn. polite domains warn you. impolite domains have already landed.
  • Incantation · the account being settled

    A short sentence the caster pays to keep true for as long as the door is held. Break the sentence and the caster breaks beneath it. The chant is not poetry. The chant is bookkeeping spoken with reverence.

    fn. the best chants sound like an apology that has stopped expecting forgiveness.

The Ten Bound
Domains

Each entry is a sealed page. The seal is one of mine; the page is not. Press a card and a cage will open around you the size of your monitor. It will not close until you ask, in the old word - 解 (kai) - for release. The volume keeps a record of which rooms you visit and in what order. You should assume the rooms keep one too.

09 /

未綴の頁 unbound pages, found in the order you find them

0/0found

most of the volume is missing from this page. it isn't lost; the binder kept the rest of it inside the rest of the site. the pages do not announce themselves. they appear when a reader does something that resembles attention. listen, wait, strike, type, hover, return. mistakes are also a kind of reading; the volume catalogues them.

n.01

thirty-nine hands carry the spine of this volume. count them. the count is wrong every time you arrive at the same number twice. one of the hands is yours and has been since you opened it.

card 02

a star, in a season nobody agreed to call winter, left its sentence mid-clause and did not return. the rest of us became the punctuation. the reader, on present evidence, is a comma the volume is still placing.

cold is not cruelty. cold is etiquette. a room that wishes you no harm in particular should not, on that account, be mistaken for warmth.

- in pencil, on the back of a tea receipt from Kunō shrine, undated

the petals in the first room do not fall. they arrive. there is a schedule. nobody in the room is, strictly, on it. some of us are listed, in small print, as attending in advance.

her handwriting changed in the year before binding. the strokes kept their shape; the pressure went down, the way a kettle quiets when the heat is taken under it. as if the hand had been agreed with by something that did not, in the agreement, identify itself.

echoes are how a room votes. (turn this over.)

errata

p. 7, l. 12: for witness read weight. (one correction, applied throughout.)

p. 88, l. 2: for Kogasa read you. apply only on the second reading.

the mirror runs ahead. by the seventh night your reflection rehearses the sentence the room has not finished writing about you yet. (press the glass.)

ten cages, ten verdicts, ten exits. ten was the number we kept printing despite the proof sheet. the eighth and ninth were the proof sheet\'s objections; the tenth was the proof sheet\'s editor.

(overheard, lamp out)

- you didn\'t hear it ring.

- nothing rang.

- that is what I mean. (listen again.)

guren / dwell

red garden. you stood here long enough that one petal landed on your shoulder and stayed. it is not a petal. it is a witness.

kyokyo / dwell

empty pavilion. you waited. an empty room is never empty — it is reserved for whoever is patient enough to be its furniture.

tekkan / dwell

iron pillar. the cold travelled up through the floor and through your soles and stopped politely at your sternum, like a guest given the wrong seat.

jisho / dwell

weight in that room does not knock. it waits until you mistake stillness for safety. the floor keeps a contour of you the way a pillow keeps a head.

arashi / dwell

still in the storm. lightning chose three other places before it chose you. consider this a courtesy not a kindness.

shio / dwell

the tide writes a name in salt at your feet whenever you stand still. you have not asked whose. that is the only reason it has not written yours.

haikyo / dwell

singing bowl heard outside the bowl. a ruin keeps a sound the way a wound keeps a date.

tenretsu / dwell

celestial split. one of the stars above you is on loan from a different sky. it will be returned. the gap left behind has your face in it.

shuumetsu / dwell

final ash. you have stayed long enough that the sentence finishing you is now finishing slowly out of respect.

kan / dwell

pale silence. cathedral did not interrupt you. the cathedral never interrupts. it adjusts its bookkeeping while you finish.

guren / mark

blossoms recorded after each strike, in red:

i. apology.
ii. argument.
iii. apology.
iv. invoice.
v. signature.

kyokyo / mark

five entrances tested, each more polite than the last. the empty pavilion does not tire. it is hospitality made of rooms.

tekkan / mark

(plate: bell. five strikes recorded. the fifth strike is missing from the audio. the audio attests it occurred. the bell concurs.)

jisho / mark

five strikes weighed. the ledger lists mass transferred, not names. the keystone line grows heavier with each visit, as if the room were practicing closure on the same hinge.

arashi / mark

five thunders, polite enough to spell a name. yours, this time. write it down before the storm forgets.

shio / mark

tide answered five times. the fifth answer arrived before the question. you have to feed it forward to make the math work. you fed it forward.

haikyo / mark

ruins do not flinch under repeated touch. they record the touch and rebuild around it. you have built a small new wall by being persistent.

tenretsu / mark

after five splits, the sky stops pretending to be one piece. you are now reading the seam.

shuumetsu / mark

five ashes, identical. that is not coincidence. that is curriculum.

kan / mark

five strikes against the violet hush. the hush kept score. it scored you.

rune M

memory. the last door. whoever closes it does not open it again. read this line aloud once. after that, the line reads you.

rune S

silence. not the absence of sound. the presence of a listener you have not introduced yourself to.

rune O

owed. 1 candle · 1 hour · 1 syllable not returned to its owner. balance: still owed.

rune K

Kogasa. bound the volume with a thread the length of one breath. when you close it, the thread is the length of yours.

rune E

eighth. not made. agreed. the difference is everything; the spelling is identical.

rune N

ninth. declined to speak the sentence finishing you. left the cursor blinking. that is the kindness.

reverse

(reverse of the echo card)

echoes are also how a room asks. each repetition is a question that has stopped expecting an answer and started expecting a confession.

reverse

p. 121, l. 9: for reader read witness.

p. 121, l. 9, second printing: for witness read weight.

p. 121, l. 9, third printing: the line has been removed. you are still required to carry it.

reverse

(behind the mirror)

your reflection has not been your reflection since the third night. it has been a stand-in performing your face for an audience seated where the room used to be.

reverse

(eighth, in the gutter)

the seventh ended because we ended it. the eighth is ongoing because we agreed to be the ending. you are reading the agreement.

reverse

(overheard, after the lamp came back)

— you said nothing rang.

— the bell hadn't been forged yet.

— oh.

seal

(rubbing of the seal, taken with thumb and patience)

the character is . it is also a footprint. whoever drew it did so while standing in their own ink. the ink remembered.

you sat with these fragments long enough that they stopped being a stack of paper and started being a person you owe a reply to. begin with: I am sorry I waited so long to read you.

first five

five pages. the binder thanks you. the volume revises its opinion of you upward by one degree of suspicion.

fifteen pages. you have crossed the line where curiosity becomes complicity. all complicit readers are listed in an appendix you are not yet allowed to find.

thirty pages. that appendix has located you. it has spelled your name correctly on the first try, which is unusual; the volume mistypes most names twice before settling.

red hour

the volume behaves like a diary that knows it is being read. margins widen. footnotes crawl toward the centre.

do not name what is happening. naming is how it learns the inside of your mouth.

the eighth was not loud. quiet things survive longer in paper.

recovered

walls: present. ceiling: present, taller than the building it sits in. floor: declined to be measured. door: located by counting backwards from the handle.

the chant is short. the performance is infinite. each repetition removes one synonym for mercy from the language of the singer until only blunt words remain. blunt words are honest.

I will let them call it silence so they can sleep.

line crossed out

I will let them call it silence so they can wake inside it.

pale silence

the watcher does not strike. it accepts the sentence you began on its behalf and lets it finish at a pace that does not require your pulse as a metronome.

tell someone a boring truth. boredom is the one dialect the watcher cannot parse into a door.

your hands are still yours. that is not a reward. it is the room admitting it no longer needs your body as punctuation.

charred

day 1 — copied the cover. day 2 — copied two paragraphs. day 3 — copied a paragraph that was not in the original. day 4 — the paragraph copied a paragraph of mine and put it in the original.

(slipped under the annex door, ink the same as the door's)

the man at the kiosk is selling a screenshot of the eighth. the screenshot is moving when no one looks at it.

I will not mirror this cage for applause.

I will not paste the strike timings into a template and call it homage.

say it once if you mean it. the volume does not grade sincerity. it grades whether you flinch when you lie.

last page

you finished the binder.

the volume is no longer in your hands. it is in your handwriting. close the page; the page closes you back, and the closing matches.

this fragment was the agreement. you have just signed it by reading it.